Piano Trio No. 1 (Brahms)
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The Piano Trio No. 1 in
B major B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and ...
, Op. 8, by
Johannes Brahms Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid-Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped wit ...
was completed in January 1854, when the composer was only twenty years old, published in November 1854 and premiered on 13 October 1855 in Danzig. It has often been mistakenly claimed that the first performance had taken place in the United States. Brahms produced a revised version of the work in summer 1889 that shows significant alterations so that it may even be regarded as a distinct (fourth) piano trio. This "New Edition" (''Neue Ausgabe''), as he called it, was premiered on 10 January 1890 in
Budapest Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population o ...
and published in February 1891. The trio is scored for
piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...
,
violin The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regu ...
and
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, ...
, and it is the only work of Brahms to exist today in two published versions, although it is almost always the revised version that is performed today. The work is
homotonal ''Homotonal'' (same-tonality) is a technical musical term pertaining to the tonal structure of multi-movement compositions. It was introduced into musicology by Hans Keller. According to Keller's definition and usage, a multi-movement composition ...
, with two movements in the key of B major and two in B minor. It is also among the few multimovement works to begin in a major key and end in the tonic minor (another example being
Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include sym ...
's "Italian" Symphony).


Structure

The trio is in four movements: Original version (1854): (a performance typically takes around 42 minutes) Revised version (''Neue Ausgabe'') (1889): (a performance typically takes around 33 minutes)


Analysis


First movement

B major, , ''alla breve'' in revised version This movement is a sonata form movement in B major. It begins with a broad theme in the cello and piano and builds in intensity. Between the two versions of the trio, Brahms made hardly any changes to the first 80 bars or so, except for omitting little interjections by the violin that he supposedly only included in the first version to meet a desire of
Joseph Joachim Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of t ...
. In the first version, the second subject group in G minor (bar 84) includes various thematic elements, only one of which is taken up in the recapitulation as the basis for a fugue in ''stile antico'' (bar 354). In the coda of the original version, the main subject is finally brought to a climactic, fortissimo conclusion on the tonic (bar 473).


Second movement

B minor, trio section and ending in B major, The
B minor B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes n ...
scherzo combines delicate filigree passages with fortissimo outbursts. The exuberant mood of the first movement returns in the trio section in
B major B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and ...
. A
Picardy third A Picardy third, (; french: tierce picarde) also known as a Picardy cadence or Tierce de Picardie, is a major chord of the tonic at the end of a musical section that is either modal or in a minor key. This is achieved by raising the third of the ...
, which ends the movement in
B major B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and ...
, sets the scene for the third movement, also in
B major B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and ...
. The only alterations Brahms applied to this movement in his revision of the work were a doubling of the climactic trio melody in the cello, and a reworking of the coda.


Third movement

B major, This movement, returning to B major and following a simple ternary form, opens with a spacious chordal theme in the piano, counterpoised by a middle section in which the cello plays a poignant G minor melody making use of chromaticism (bar 33). In the first version, a different second theme was used – a quotation from
Franz Schubert Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal wo ...
's "''Am Meer''" from ''
Schwanengesang ''Schwanengesang ( Swan Song)'', 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously: # Liebesbotschaft (text: Ludwig Rellstab) # Kriegers Ahnung (Rellstab) # Frühlingssehnsucht (Rells ...
'' (bar 33) – and an Allegro section was included near the end of the movement (bar 82).


Fourth movement

B minor, Back in B minor, the first theme of this movement is highly chromatic and slightly ambiguous tonally, with a very agitated dotted rhythm. This is perhaps the movement Brahms altered the most between the two versions, with the cello's original smooth second theme in F major (bar 105)—an apparent allusion to Beethoven's "Nimm sie hin denn, diese Lieder" from ''
An die ferne Geliebte ' (''To the distant beloved''), Op. 98, is a composition by Ludwig van Beethoven written in April 1816, setting poetry by Alois Jeitteles. Beethoven's ' Beethoven's only song cycle was the precursor of a series of followers, including those of Fr ...
'', which is also quoted in Schumann's Fantasie Op. 17—being replaced by a more vigorous arpeggiated piano theme in D major (bar 64). The combined contour and rhythm of this new theme in its first four bars bear a striking resemblance to "
The Star-Spangled Banner "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the "Defence of Fort M'Henry", a poem written on September 14, 1814, by 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the ...
"."The Star-Spangled Banner", service version, attributed to John Stafford Smith
/ref> After a B major episode recalling the mood of the first movement, the music returns to B minor and ends very turbulently.


References


External links

*
Performance of Piano Trio No. 1
by the
Claremont Trio Claremont Trio is a New York-based piano trio including Juilliard School alumnae Emily Bruskin (violin) and Julia Bruskin (cello), and Yale School of Music alumna Sophiko Simsive (piano). The group was founded at Juilliard in 1999, and made its pe ...
from the
Isabella Stewart Gardner Museum The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was found ...
in
MP3 MP3 (formally MPEG-1 Audio Layer III or MPEG-2 Audio Layer III) is a coding format for digital audio developed largely by the Fraunhofer Society in Germany, with support from other digital scientists in the United States and elsewhere. Origin ...
format {{authority control Piano trios by Johannes Brahms 1854 compositions Compositions in B major